Sunday, May 23, 2010

"Fences" Sheldon Schedule


5/25
Harlem Renaissance portfolios due.
Introduction to Wilson. Main themes, historical context of the play.
Read “Mommy what does … mean?” Discuss the power of language.
Homework: Finish Reading “Fences” Act I through scene iii
5/27
Reading quiz.
Homework: Finish Act I. Read Act 2, scene i-i
6/1
Reading quiz.
Homework: Finish Act 2
6/3
Reading quiz.
Wrap up discussion of Fences, the Civil Rights movement.
Homework: work on essays and speeches
6/7
IHS final assembly. No class.
Homework: Finish essays and speeches.
Day 5
6/9
Essays are due.
Begin speeches
6/11
Speeches
6/15
Speeches
Last day of school.

"Fences" South Schedule


5/24
Harlem Renaissance portfolios due.
Introduction to Wilson. Main themes, historical context of the play.
Read “Mommy what does … mean?” Discuss the power of language.
Homework: Read Act I, scene i
5/26
Reading quiz.
Homework: Finish Act I
5/28 Reading quiz.
Homework: Act 2, scenes i-iv
Day 4
6/2 Reading quiz.
Homework: Finish Act 2 Work on essays and speeches.
6/4
Reading quiz.
Wrap up discussion of Fences, the Civil Rights movement.
Homework: Finish essays and speeches.
Day 5
6/8 Essays are due.
Begin speeches
Day 6
6/10
Speeches
Day 7
6/14
Speeches
6/16
Last day of school. (Finish speeches?)

Friday, May 7, 2010

The Harlem Renaissance


Harlem Renaissance Unit Schedule 2009-2010

Day 1
*Pick up Harlem Renaissance Packet:
*Intro to Harlem Renaissance,
READ the cover of the packet, and the Harlem Renaissance Characteristics
*Homework: Read “Sweat” pages 25-31

Day 2
Music log, portfolio
In-class discussion “Sweat”
Read Shange and Giovanni poetry page 56
Taking a look at Jim Crow laws
*Homework: Read “The Ethics of Living Jim Crow”

Day 3
*In-class discussion of “The Ethics of Living Jim Crow”
-Read Langston Hughes poem page 7
-Read Dunbar poetry page 46
-Art Display activity
Homework: Read “Blood Burning Moon” pages 16-24

Day 4
In-class discuss “Blood Burning Moon”
Small group work
*Homework: Read the prologue to Invisible Man pages 1-7

Day 5
In class discussion of the Prologue to Invisible Man
Music Log
*Read Countee Cullen poems on page 8, Langston Hughes poems page 7, and “If We Must Die” on page 60
*Homework: Read “On Being B lack” pgs 49-51

Day 6
*In class discussion of “On Being Black” and Harlem Renaissance characteristics.
-Read “A Bronzeville Mother Loiters in Mississippi. Meanwhile, a Mississippi Mother Burns Bacon”, pgs 57-60 and discuss Emmett Till
**Music Logs Due

**Day 7 Harlem Renaissance Portfolio’s due at the beginning of class.

Harlem Renaissance Portfolios
Due Day 7
55 points possible
Your packet contains works by authors published during the Harlem Renaissance, and works by authors influenced (and in some cases mentored) by those writers. We will devote some class time to discussions and related assignments in response to the works; however you will need to write your responses outside of class. Your personal responses will be collected in a short portfolio, the components of which are as follows. This portfolio will be your final assessment for the Harlem Renaissance Unit.

1. Design a front cover with a meaningful title.

2. Include a one page (minimum) personal response to three of the short stories/essays of your choice, and two of the poems of your choice. Your responses may be a set of thought-provoking questions with answers, a commentary, a poem, a song, a letter, a drawing, a picture-word collage, or an original story of your own. Each response may take a different form, or you may choose to unify your entries by using the same form for each (i.e. all commentaries, all poems, all visuals). Whatever the form of your responses, each must clearly show direct links to the works. If your response is in a visual form, provide an explanation of a short paragraph (1/2 page) describing what you are trying to convey and how you are trying to convey it on the back of the art piece.

3. Create and overall, one page typewritten, response to your study of the African American literature in this unit; this should summarize your experience reading and considering the works in the packet as well as anything else that was covered in class. This response should be the first entry in your portfolio, but the last thing you write.

4. Create a personal poem for the last entry in your portfolio. This poem may be modeled on one in the packet, it may be a ‘found poem’ created from the Du Bois and or Wright essays, or simply an original poem containing vivid imagery, metaphors, similes, and other literary devices. Give your poem a creative title. It should be at least ¾ of a page long.

______________________________________________________________________________

The Harlem Renaissance Portfolio Evaluation Criteria:
Use this checklist to make sure you portfolio is complete and meets the requirements of the assignment.

___Submitted on time- 5 points
___Cover and title -5 points
___Overall response (first entry, typed) -10 points
___Responses to three short stories—meaningful with direct links to the works- 15 points
___Responses to two of the poems—meaningful with direct links to the works- 10 points
___Original poem—with title and creative use of literary devices- 5 points
___Overall quality: neatness, care and obvious detail and work investment- 5 points

Wednesday, April 28, 2010

The Great Gatsby

Reading Schedule: The Great Gatsby by F. Scott Fitzgerald

Date In class Homework (due the following class)
Day 1 Frost Passage Analysis Bring 10 facts about the US during the Roaring ‘20s

Read chapter I of The Great Gatsby.
Day 2 Intro to the Roarin’ 20’s
The Great Gatsby discussion of narrator perspective, setting, and style.

(Chapbooks and Due Today) Read chapters II and III of The Great Gatsby
Day 3 Map Activity
Characters, Colors, Truths and lies…Writing like Fitzgerald

Discussion of themes, character contrasts, time period references and color! Read chapters IV and V of The Great Gatsby
Day 4 Writing like Fitzgerald

Discussion of themes, character contrasts, time period references and color! Read chapters VI and VII of The Great Gatsby
Day 5 Scavenger Hunt

Discussion of light vs. dark, time, hotel scene, triangles, the past… Read VIII and IX of The Great Gatsby
Day 6 Wrap up the novel…
American Dream, Characters…Changes: colors, characters, relationships, love, etc.
TJ Eckleburg, automobiles, Plot

Literary Criticism Article Due Today *Start Harlem Renaissance details to be announced
*Literary Criticism Assignment due next class.
**Reading Quizzes may happen on any day


As you read The Great Gatsby focus on images, motifs and themes of:

- Watching - Honesty/dishonesty
- Automobiles/driving - Loneliness
- Colors (green, yellow, white…) - Responsibility/irresponsibility
- Waste and excess - Dreaming/yearning
- Violence - Time
- Illusion: what’s real, what’s imagined
Also pay attention to structure in The Great Gatsby:

- The narrator telling the story of another main character
- Contrasts and contradictions (settings, characters, images)

Thursday, April 15, 2010

Frost Exam: SHS Tuesday , SEHS Wednesday

Preparing for the Frost Exam

For the Frost exam, I will give you a choice of two of the following Frost poems:

“Stopping by Woods on a Snowy Evening”

“Home Burial” (you would write on a section)

“Out, Out—”

“Design”

“After Apple-Picking”

“Mending Wall”

“Birches”

“Desert Places”

“Acquainted with the Night”

Bring your packet to class—you will need to use it for the exam.

You will have the full class period to write a commentary on ONE of the assigned poems. That means you will write an essay offering your interpretation of the piece and analyzing it.

Your commentary will be an in-depth, detailed analysis of the poem. You will analyze the poem’s style, language, content, and structure, and discuss the way that they work together to create meaning. You should have a controlling idea—a thesis statement that summarizes your interpretation of the poem. You should also organize your supporting paragraphs in a coherent way that supports your interpretation.

One way to set up your commentary:

Paragraph 1: A “big picture” discussion of the poem: a summary of the poem’s literal meaning, perhaps with some mention of its major themes, followed by your thesis statement. Your thesis statement should attempt to connect form to meaning: how the formal techniques you will discuss contribute to the meaning and effect of the poem. Example thesis for “Stopping by Woods”: “Through vivid imagery, symbolism, and an exceptionally rigid form, Frost creates a somber portrayal of a pause in a journey that becomes a metaphor for life and death.”

Paragraphs 2-?? (you may have more than 3 supporting paragraphs): Support your thesis statement through discussion of form (dramatic narrative, sonnet, etc.) and how the poet’s choice of form adds to the effect or meaning of the poem; analysis of meter/rhythm; discussion of diction (word choice) and syntax (sentence structure, punctuation); analysis of rhyme; theme; movement from specific to general; discussion of poetic devices like alliteration, onomatopoeia, etc. If you notice parallels to other Frost poems, point them out and discuss the significance of these connections. If it is a short poem, one effective way to organize this section is simply to work your way through the poem line by line or stanza by stanza. You can also just devote a paragraph to your discussion of meter, a paragraph for rhyme, etc. Whatever structure you choose, you should try as much as possible to relate form to meaning.

Final Paragraph: Sum up your interpretation in a brief conclusion.

Whatever format you choose, your essay should consider the following (focus on the ones that are most relevant to the poem and your interpretation of it; try to show as much knowledge as possible):

Literal meaning

Form (narrative, sonnet...)

Meter/rhythm; line length

Use of enjambment vs. endstopping

Rhyme (or its absence; consider internal rhyme as well as end rhyme)

Syntax (sentence structure and punctuation)

Diction (word choice; consider connotation vs. denotation)

Imagery

How the subject/topics are typical or atypical of Frost; similarities/connections to other specific Frost poems

Themes

Poetic devices (alliteration, onomatopoeia, displacement/metonymy, etc.): try to discuss not only what devices Frost uses, but why he uses them/what effect they have on the reader/how they contribute to the meaning of the poem

Movement from specific to general or physical to metaphysical

Literary allusions, if any

How to Prepare

Review and study the poems listed. Re-read the essays on “Stopping by Woods” and “Design.” Review your class notes. Study the poetry terms. Think about the poems and formulate your own interpretations of them. Mark up your packet; jot down ideas about possible thesis statements.

If you want to look at some critical responses to Frost, check out the Modern American Poetry web site maintained by the University of Illinois at http://www.english.uiuc.edu/maps/poets/a_f/frost/frost.htm . This is a better source than Sparknotes. However, if you use any of the ideas you find there (or elsewhere, including Sparknotes, etc.), you must cite your source.

A Note on Punctuation

Titles of poems (except book-length poems like The Odyssey) should be put in QUOTATION MARKS, not underlined or italicized.

When quoting the poem, cite the line number as you normally would cite page numbers. If you quote more than one line, put a slash at the line break and put both line numbers in parentheses. Example:

Frost ends “Home Burial” with the husband’s threatening words: “Where do you mean to go? First tell me that. / I’ll follow and bring you back by force. I will!—” (115-116).

There’s a different way for citing poetry excerpts of more than three lines, but we won’t worry about that for now!

How to Use Your Exam Time

1. Plan: Don’t skimp on your planning time. Spending 5-10 minutes re-reading the poem, marking it up, writing notes to yourself, and jotting down an outline is well worth it since it can help you organize your essay and ensure that you don’t forget anything important.

2. Write your essay. Be sure to include specific textual support.

3. Polish: In the last five or ten minutes, proofread your essay. Check for spelling, punctuation, grammar, legibility, and sense. Clearly cross out anything you do not want me to read.

Scoring

This exam is worth 50 points—10 points for each of the following categories: Knowledge and Understanding; Interpretation; Presentation; Appreciation of Literary Features; Formal Use of Language. (See rubric for details.)

What to Bring

This essay must be written in black or dark-blue ink. Please bring:

two reliable pens

your own Frost packet (you may--and will need to--use your packet on the exam, but may not use any other notes or handouts, nor may you use any other student’s packet*)

several sheets of blank notebook paper

* Note: If you forget to bring your packet, you will have to write on one poem, rather than having a choice (I will have photocopies of one, and only one, poem). Sharing packets or using another student’s packet during the exam is cheating and both students involved will get a 0 on the exam. (It’s OK to study together before the exam, and if you have missed a class you should certainly get notes from a classmate, but for the exam itself you must rely on your own mental resources!)

Monday, March 29, 2010

Frost

DATE

In Class

Homework for next class

Day O


-Read the essay “How Does a Poem Mean” pgs 2-5—take notes in the packet over the questions on pg 5.

Day 1

WORLD LIT ESSAY DUE

Intro Frost: his characteristics, and his style

Discuss “How does a Poem Mean” and “Stopping By Woods…” and work on Frost Imitation poem

-Read “The Wood-Pile” pg 17 and take notes as indicated by half sheet you receive in class


Day 2

Discuss “The Wood-Pile”

-Read and Discuss “After Apple Picking” pg 18

-Finish “After Apple Picking” pg 18

-Read “Home Burial” pgs 12-13

Day 3

-Dramatic presentation and discussion of “Home Burial”

-Start “Mending Wall” pg 19 in class… finish as homework

-Read “The Death of the Hired Man” pgs. 9-11 taking notes on Frost characteristics and plot

development

Day 4

-Discussion over “The Death of the Hired Man”

-Read “Mending Wall” pg 19

-Read “Birches” pg 20 and answer questions in packet


Day 5

-Discuss “Birches”

-Read and Discuss “The Sound of Trees” pg 16, “Acquainted with the Night” pg 15, and “Desert Places” 22

*Prepare for Passage Analysis

*Frost packets due Day 6

*Poetry Chapbooks due Day 7

Day 6

In class Passage Analysis

Read chapter one of The Great Gatsby


Day 7

Poetry Chapbooks due

Discuss chapter one of The Great Gatsby


Monday, March 8, 2010

turnitin.com

The world lit papers need to be submitted to turnitin.com.
Sheldon a.m. 1: 3173517
Sheldon a.m. 2: 3173520
South: 3173521

Wednesday, March 3, 2010

Marquez

Chronicle of a Death Foretold

Date

In class

Homework for next class

Day 1

Read through page 37

Day 2

  • Discuss the beginning of the novel
  • Small group activity
  • Quiz

Read from page 37 to the end of chapter 3

Day 3

  • Discussion of novel so far…
  • Discussion of Final Creative Assignment
  • Relationship Chart
  • Quiz

Read chapter 4

Day 4

  • Discussion of Novel
  • Share Examples of Good World Literature Papers
  • Share with each other ideas for Final Latin American Assessment
  • Quiz

Read chapter 5

Day 5

  • Magical Realism poetry writing
  • Small group skits
  • Quiz

Finishing up Outline for Final Assessment

Day 6

Wrap up the novel discussion

***Outlines for Latin American Assessment Due!

Finish up final creative assessment for the novel

Day 7

  • Final Creative Piece Due For Chronicle of a Death Foretold
  • Start Rough Drafting In Class

Day 8

Rough Drafting and conferencing in Class

Finishing up World Lit Essay

Day 9

Final Draft of World Lit. Paper Due

To be announced…

Tuesday, February 2, 2010

Como agua para chocolate

Like Water for Chocolate

By Laura Esquivel

In-class

Assignment for next class

Day One

Preparing your senses…

Intro for the novel, and discussion of creative assessment

Read January from Like Water from Chocolate

Day Two

Historical Context for the novel

Elements of Latin American Literature

Discussion of folklore, tradition…

Read February and March

Day Three

Discussion of desire, liberation, longing…

Wedding scene toasts

Read April and May

Day Four

Images of women in the novel

Frida Kahlo assignment

Read June, July and August

Day Five

Discussion of the mystical and the political in the novel so far…

Alchemy assignment

Read September, October and November

Day Six

Discussion of change, home, place in the family

Assignment on how characters mirror the political climate

Read December

Day Seven

Wrap up the novel: discussion about time, love and the future…

Final Assessment due on Day Eight

Finish Creative Final Assessment

Day Eight

Creative Assignment due

FOOD DAY

Set up Chronicle of a Death Foretold

Chapter 1 from Chronicle of Death Foretold

*Reading quizzes may happen on any of the dates above.

Friday, January 8, 2010

Paper/orals topics

My Ántonia
  1. Attitudes toward immigrants portrayed in the novel.
  2. Aspects of the Garden Setting.
  3. Roles of women in the novel.
  4. Roles of gender identity in the novel.
  5. The use of music.
  6. Changes of seaosn and landscape as characters change.
  7. Elements of realism, naturalism, and romanticism.
  8. Elements of the American Dream.
  9. How the novel is a "coming of age" story.
  10. Elements of nostalgia and reconciliation.
  11. The use and purpose of poetry in the novel.
  12. The use and purpose of narrative style in the novel.
  13. The use and purpose of vernacular language.
  14. Comparisons and contrasts of U.S. settlers and immigrants.
  15. The use of anecdotes, stories, legends, and folklore in the novel.
  16. Themes of loneliness, identity, longing, regret etc ... .